⒈ Queen Mab Speech Romeo And Juliet

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Queen Mab Speech Romeo And Juliet

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John Gielgud - Romeo and Juliet, Act I, Scene 4 (Mercutio's Queen Mab Monologue)

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This audio file was created from a revision of this article dated 11 April , and does not reflect subsequent edits. William Shakespeare. Quarto publications First Folio Second Folio. The Passionate Pilgrim To the Queen. Links to related articles. Early editions of William Shakespeare 's works. Shakespearean tragedy. William Shakespeare 's Antony and Cleopatra. Parallel Lives. The False One c. Antony and Cleopatra William Shakespeare 's Coriolanus. Volumnia Virgilia. Veturia Thomas North Roman Tragedies William Shakespeare's Cymbeline.

Historia Regum Britanniae c. Cymbeline ; TV Cymbeline Shakespeare's late romances Philaster c. William Shakespeare 's Hamlet. Dumbshow Induction Quiddity Substitution. Sources Criticism. Moscow Art Theatre — Richard Burton Hamletmachine Dogg's Hamlet Fortinbras Rockabye Hamlet Hamlet, Revenge! Last Action Hero Hamlet Sons of Anarchy. William Shakespeare 's Julius Caesar. William Shakespeare 's King Lear. William Shakespeare 's Macbeth.

Macbeth , Verdi discography Macbeth , Bloch. William Shakespeare's Othello. Othello error Filming Othello. Cultural references to Othello. William Shakespeare 's Romeo and Juliet. Beethoven's String Quartet No. Fury of Johnny Kid Ma che musica maestro William Shakespeare's Timon of Athens. Timon Alcibiades Apemantus. Palace of Pleasure Timon Timon of Athens The History of Timon of Athens the Man-hater Thomas Middleton. William Shakespeare 's Titus Andronicus.

Ab Urbe Condita c. William Shakespeare 's Troilus and Cressida. Shakespearean comedy. The Decameron c. Rosalind Orlando Celia Jaques Touchstone. William Shakespeare 's The Comedy of Errors. Menaechmi Amphitryon Apollonius of Tyre. William Shakespeare 's Love's Labour's Lost. William Shakespeare 's Measure for Measure. William Shakespeare 's The Merchant of Venice.

Shylock Antonio Portia Jessica. Puck Egeus Philostrate. The Triumph of Beauty , masque St. Beatrice Don Pedro Dogberry Hero. Dogberryism " Curiosity killed the cat " Pleaching. William Shakespeare 's Pericles, Prince of Tyre. John Gower Diana. Pericles, Prince of Tyre ; TV. William Shakespeare 's The Taming of the Shrew. William Shakespeare 's The Tempest. The Tempest William Shakespeare 's Twelfth Night. Viola unfinished. Two Gentlemen of Verona William Shakespeare's The Winter's Tale. Leontes Perdita Florizel. The Countess of Pembroke's Arcadia c. Shakespearean history. William Shakespeare 's King John. Froissart's Chronicles c. William Shakespeare 's Henriad.

However, the content of this sonnet — two families who cannot control themselves, and hence bring down disaster on their heads — suggests incredible disorder. The conflict between order and disorder resonates through the rest of Act I. Immediately following the Sonnet is the introduction of Sampson and Gregory, two brutish men whose appearance lays the groundwork for a disordered street brawl. Furthermore, the disorder within the play is evidenced by inverted circumstances. Servants start the quarrel, but soon draw the noblemen into it. The young men enter the fight, but the older men soon try to defy their aged bodies by participating. Moreover, the fact that the near disaster takes place in broad daylight in a public place undermines any expectation of security in Verona.

This underlying theme of disorder is also manifest in the hybrid of styles that Shakespeare employs. The Chorus establishes the fact that the story is meant to be tragic, and yet, Abram and Gregory are typically comic characters, both because of their low status and the lighthearted nature of their speech. While they do discuss their aggression towards the Capulets, they also make numerous sexual puns, undoubtedly intended to amuse the audience. It is important to note that Shakespeare wanted Romeo and Juliet to be recognized as tragedy, even though he subverts the genre in many ways.

There are a few motifs in Romeo and Juliet that reveal this intention. The first is the recurring motif of death. In Act I, there are several moments where the characters foreshadow the death to come. When Benvolio tries to stop the street fight, he remarks, "Put up your swords. You know not what you do" 1. The story foreshadows the fact that Juilet will fall, evoking the medieval and Renaissance concept of the wheel of fortune. Over the course of the play, Juliet indeed rises appearing at her balcony to speak to Romeo and falls her death in the vault.

The Nurse also foreshadows the tragedy when she tells Juliet, "An I might live to see thee married once" 1. Alas, this is exactly what will occur, and Juliet dies barely one day after her marriage. So even as he veers between styles and forms, Shakespeare does ensure that Romeo and Juliet a tragic story. Almost every character in Romeo and Juliet reveals his or her inner nature through action. For instance, we learn in Act 1 that Benvolio is a pacifist, while Tybalt is hot-headed. Other characters that Shakespeare introduces in Act 1 reveal a glimmer of their inner desires even if they do not yet have a chance to express them.

For instance, in the scene between Lord Capulet and Paris, the patriarch introduces his desire to control his daughter. While theoretically defending Juliet's youthful freedom, he also reveals his tendency to think of her as an object by granting Paris the opportunity to woo her. Lord Capulet's attitude towards Juliet will later force the final, tragic turn of events. The Nurse is intriguing because of her self-deceit. While she claims to care deeply for young Juliet, it becomes evident that she selfishly wishes to control the girl. Her story about Juliet's fall and sharing her late husband's sexual joke are wildly inappropriate comments, and reveal the Nurse's self-obsession and her fascination with sex.

For such a functional character, the Nurse is particularly memorable, and a shining example of Shakespeare's ability to create multi-faceted personalities, even for his supporting characters. Similarly, Shakespeare reveals a lot about Mercutio's character in the young man's Queen Mab speech. At first glance, the speech and the preceding scene paint Mercutio as a colorful, sexually-minded fellow, who prefers transient lust over committed love.

However, as his speech continues, Mercutio portrays a level of intensity that Romeo lacks. Queen Mab is a rather vicious figure who forces sexuality upon women in a largely unpleasant and violent way. While he shares this story, Mercutio's tone becomes so passionate that Romeo must forcefully quieten him. This speech serves as an indication that Mercutio is a far more mature and insightful figure than his behavior immediately suggests. In contrast, Prince Escalus and the Citizens of the Watch are largely two-dimensional characters. They serve a merely functional purpose, representing law and order in Verona. While the Prince frequently exhibits strong authority - declaring street fighting illegal and later, banishing Romeo - his decrees only produce minimal results, and the law is never as powerful as the forces of love in the play.

Meanwhile, the Citizens of the Watch, though silent, are a nod to the society's attempts to protect itself. Shakespeare regularly indicates that the Citizens are always nearby, which emphasizes the ongoing conflict between the feuding families and society's attempts to restore order. Though Romeo and Juliet has become an archetypal love story, it is in fact a reflection of only one very specific type of love — a young, irrational love that falls somewhere between pure affection and unbridled lust.

Sexuality is rampant throughout the play, starting with the servants' bawdy jokes in the first scene. Also, the lovers do not think of their passion in religious terms a religious union would have signified a pure love to a Renaissance audience. In Act 1, Romeo's most pronounced qualities are his petulance and capriciousness. His friends and potentially, the audience find Romeo's melancholy mood to be grating, and are confused when he quickly forgets Rosaline to fall madly in love with Juliet. However, Romeo stands apart from the other men in Act 1. Even Benvolio, the eternal pacifist, has recognized the violent nature of the world, and most of the other men quickly turn to anger and aggression as solutions to their problems.

Romeo, on the other hand, exhibits qualities that could be considered feminine by Shakespearean standards — he is melancholy and introverted, choosing to remain distant from both the feud and the violence in Verona. Juliet, on the other hand, is pensive and practical. When her mother insists she consider Paris as a potential mate, Juliet is clearly uninterested, but understands that a vocal refusal will gain her nothing. Her act of innocent submission will allow her to be devious later on, to her advantage. Romeo and Juliet's quick attraction to one other must be viewed through the lens of their youth. Even when Romeo is lusting after Rosaline, he is more interested in her sexuality than her personality, and he is upset to learn that she has chosen a life of chastity.

Romeo feels sparks of desire for Juliet before they even speak, reinforcing the young man's quick passions. Shakespeare further underscores Romeo's sexual motivation by associating his and Juliet's love with darkness. For example, Romeo compares Juliet to "a rich jewel in an Ethiope's ear" when he first sees her 1. The darkness is central to their love, as they can only be together when the day is over. Throughout the play, Shakespeare associates daytime with disorder — not only does the Act I street fight occur in the daytime, but Romeo also kills Tybalt during the day — while order appears within the secrecy afforded by nighttime. However, the love between Romeo and Juliet is not frivolous.

In the fifth scene, the lovers speak in a sonnet that invokes sacrilegious imagery of saints and pilgrims. This indicates the way in which these lovers can only be together when they are completely separated from the flawed morality and complications of the world around them. This disorder is ultimately the obstacle that keeps the apart - and they will eventually decide to withdraw from the world in order to be together. Both Romeo and Juliet believe in the purity of their love - their future may be uncertain, but in the moment, their passion is all-consuming. The Question and Answer section for Romeo and Juliet is a great resource to ask questions, find answers, and discuss the novel. To what extent do you agree? I suppose that identity imposed on Romeo and Juliet by society is a theme here.

Romeo and Juliet suggests that individuals are often hamstrung by the identities forced upon them from outside. Most notably, this theme is manifest in Juliet's Friar Laurence approves of the marriage of Romeo and Juliet because he…. After you read Act II, explain how this act could take place today, or explain how it could not take place today because

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