✯✯✯ An Analysis Of John Steinbecks Of Mice And Men

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An Analysis Of John Steinbecks Of Mice And Men

When she asks how Curley hurt his hand, An Analysis Of John Steinbecks Of Mice And Men men lie, saying that it got caught in a machine. An Analysis Of John Steinbecks Of Mice And Men in the novel we see Crooks enlightens the other ranch hands that through all of the people he has seen not one of them ever achieved their dream. To create a Broadway production, Steinbeck adapted and slightly An Analysis Of John Steinbecks Of Mice And Men his original text and this version, produced by Sam H. This shows that in order to have power over An Analysis Of John Steinbecks Of Mice And Men she ethical issues in fashion willing to be villainous An Analysis Of John Steinbecks Of Mice And Men give up her. The use of rhetorical questions states that Steinbeck wants the readers to reflect on the An Analysis Of John Steinbecks Of Mice And Men of Nursing Practice Reflection life, creating sympathy and compassion towards her character from the readers, a change from the earlier hate and anger.

Of Mice and Men - social and historical context

While it is a book taught in many schools, [3] Of Mice and Men has been a frequent target of censors for vulgarity, and what some consider offensive and racist language; consequently, it appears on the American Library Association 's list of the Most Challenged Books of the 21st Century. Two migrant field workers in California on their plantation during the Great Depression—George Milton, an intelligent but uneducated man, and Lennie Small, a bulky, strong man but mentally disabled —are in Soledad on their way to another part of California.

They hope to one day attain the dream of settling down on their own piece of land. Lennie's part of the dream is merely to tend and pet rabbits on the farm, as he loves touching soft animals, although he always accidentally kills them. This dream is one of Lennie's favorite stories, which George constantly retells. They had fled from Weed after Lennie grabbed a young woman's skirt and would not let go, leading to an accusation of rape. It soon becomes clear that the two are close and George is Lennie's protector, despite his antics. After being hired at a farm, the pair are confronted by Curley—the Boss's small, aggressive son with a Napoleon complex who dislikes larger men.

Curley starts to target Lennie. Curley's flirtatious and provocative underaged wife, to whom Lennie is instantly attracted, poses a problem as well. In contrast, the pair also meets Candy, an elderly ranch handyman with one hand and a loyal dog, and Slim, an intelligent and gentle jerkline-skinner whose dog has recently had a litter of puppies. Slim gives a puppy to Lennie and Candy, whose loyal, accomplished sheep dog was put down by fellow ranch-hand Carlson. The trio are ecstatic, but their joy is overshadowed when Curley attacks Lennie, who defends himself by easily crushing Curley's fist while urged on by George.

Nevertheless, George feels more relaxed, to the extent that he even leaves Lennie behind on the ranch while he goes into town with the other ranch hands. Lennie wanders into the stable, and chats with Crooks, the bitter, yet educated stable buck, who is isolated from the other workers due to being black. Candy finds them and they discuss their plans for the farm with Crooks, who cannot resist asking them if he can hoe a garden patch on the farm albeit scorning its possibility. Curley's wife makes another appearance and flirts with the men, especially Lennie. However, her spiteful side is shown when she belittles them and threatens to have Crooks lynched.

The next day, Lennie accidentally kills his puppy while stroking it. Curley's wife enters the barn and tries to speak to Lennie, admitting that she is lonely and how her dreams of becoming a movie star are crushed, revealing her personality. After finding out about Lennie's habit, she offers to let him stroke her hair, but panics and begins to scream when she feels his strength. Lennie becomes frightened, and unintentionally breaks her neck thereafter and runs away.

When the other ranch hands find the corpse, they form into a lynch mob intent on killing him, then send for the police before beginning the search. George then quickly realizes that their dream is at an end and hurries to find Lennie, hoping he will be at the meeting place they designated in case he got into trouble the riverbank where they camped at the start of the book. George meets Lennie at their camping spot before they came to the ranch. The two sit together and George retells the beloved story of the dream, despite knowing it is something they will never share. Upon hearing the lynch mob near them, George shoots Lennie, knowing it to be a more merciful death than that at the hands of a mob.

Curley, Slim, and Carlson arrive seconds after. Only Slim realizes what happened, and consolingly leads him away. Curley and Carlson look on, unable to comprehend the subdued mood of the two men. In every bit of honest writing in the world there is a base theme. Try to understand men, if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love. There are shorter means, many of them. There is writing promoting social change, writing punishing injustice, writing in celebration of heroism, but always that base theme.

Try to understand each other. Steinbeck emphasizes dreams throughout the book. Lennie aspires to be with George on his independent homestead, and to quench his fixation on soft objects. Candy aspires to reassert his responsibility lost with the death of his dog, and for security for his old age—on George's homestead. Crooks aspires to a small homestead where he can express self-respect, security, and most of all, acceptance. Curley's wife dreams to be an actress, to satisfy her desire for fame lost when she married Curley, and an end to her loneliness. Loneliness is a significant factor in several characters' lives. Candy is lonely after his dog is gone. Curley's wife is lonely because her husband is not the friend she hoped for—she deals with her loneliness by flirting with the men on the ranch, which causes Curley to increase his abusiveness and jealousy.

The companionship of George and Lennie is the result of loneliness. Crooks states the theme candidly as "A guy goes nuts if he ain't got anybody. Don't make any difference who the guy is, long's he's with you. Despite the need for companionship, Steinbeck emphasizes how loneliness is sustained through the barriers established from acting inhuman to one another. The loneliness of Curley's wife is upheld by Curley's jealousy, which causes all the ranch hands to avoid her. Crooks's barrier results from being barred from the bunkhouse by restraining him to the stable ; his bitterness is partially broken, however, through Lennie's ignorance.

Steinbeck's characters are often powerless, due to intellectual, economic, and social circumstances. Lennie possesses the greatest physical strength of any character, which should therefore establish a sense of respect as he is employed as a ranch hand. However, his intellectual handicap undercuts this and results in his powerlessness. Economic powerlessness is established as many of the ranch hands are victims of the Great Depression.

As George, Candy and Crooks are positive, action- oriented characters, they wish to purchase a homestead, but because of the Depression, they are unable to generate enough money. Lennie is the only one who is basically unable to take care of himself, but the other characters would do this in the improved circumstances they seek. Since they cannot do so, the real danger of Lennie's mental handicap comes to the fore. Regarding human interaction, evil of oppression and abuse is a theme that is illustrated through Curley and Curley's wife.

Curley uses his aggressive nature and superior position in an attempt to take control of his father's farm. He constantly reprimands the farm hands and accuses some of fooling around with his wife. Curley's Napoleon complex is evidenced by his threatening of the farm hands for minuscule incidents. Curley's wife, on the other hand, is not physically but verbally manipulative. She uses her sex appeal to gain some attention, flirting with the farm hands.

According to the Penguin Teacher's Guide for Of Mice and Men , Curley and Curley's wife represent evil in that both oppress and abuse the migrants in different ways. Fate is felt most heavily as the characters' aspirations are destroyed when George is unable to protect Lennie who is a real danger. Steinbeck presents this as "something that happened" or as his friend coined for him "non-teleological thinking" or "is thinking", which postulates a non-judgmental point of view.

Of Mice and Men can be associated with the idea that inherent limitations exist and despite all the squirming and struggling, sometimes the circumstances of one's existence limits their capacity to live the fairy tale lives they wish to. Even the title of the novel itself references this "the title is, of course, a fragment from the poem lay Robert Burns, which gives emphasis to the idea of the futility of human endeavor or the vanity of human wishes". Animals play a role in the story as well; the heron shifts from a beautiful part of the scenery from the beginning of the novel to a predator near the end. The ending chapter has the Heron return, preying upon snakes that get too curious in a repetitive nature, symbolic of the dreams of men constantly being snatched away.

Of Mice and Men was Steinbeck's first attempt at writing in the form of novel-play termed a "play-novelette" by one critic. Structured in three acts of two chapters each, it is intended to be both a novella and a script for a play. It is only 30, words in length. Steinbeck wanted to write a novel that could be played from its lines, or a play that could be read like a novel. Steinbeck originally titled it Something That Happened referring to the events of the book as "something that happened" because nobody can be really blamed for the tragedy that unfolds in the story. However, he changed the title after reading Robert Burns 's poem To a Mouse. An early draft of Of Mice and Men was eaten by Steinbeck's dog. As he explained in a letter: [15]. My setter pup [Toby], left alone one night, made confetti of about half of my [manuscript] book.

Two months [sic] work to do over again. It sets me back. There was no other draft. I was pretty mad, but the poor little fellow may have been acting critically. In the introduction to Penguin's edition of the book, Susan Shillinglaw writes that Steinbeck, after dropping out of Stanford, spent almost two years roaming California, finding work on ranches for Spreckels Sugar where he would harvest wheat and sugar beets. I was a bindlestiff myself for quite a spell. I worked in the same country that the story is laid in. The characters are composites to a certain extent. Lennie was a real person. He's in an insane asylum in California right now.

I worked alongside him for many weeks. He didn't kill a girl. He killed a ranch foreman. Got sore because the boss had fired his pal and stuck a pitchfork right through his stomach. I hate to tell you how many times. I saw him do it. We couldn't stop him until it was too late. His role may be bland and minimal, with no dynamics of change and development whatsoever at different points of the narration, but the treatment of his character is justified with how the story reaches denouement at the height of tragic drama brought about by the inequities and prejudices in an intolerant community. It is the very reason why the story can be considered a modern day tragedy in the Aristotelian sense. This is not so much because Lennie had to die in the hands of his only friend, but because the author makes us understand that the people Lennie symbolizes are eventually brought to the gallows, in a manner of speaking, simply because, by their very nature, they are totally helpless against the perpetual biases of society.

In other words, the tragic character of Lennie is doomed for extinction mainly for the serious flaw of being incompatible and misconstrued within his social sphere. Sooner or later, society is bound to weed out the outcast regardless of how much he stays and avoids it On the other hand, George has successfully protected Lennie up until circumstances have turned against their grand plans for the future, where the certainty of rescission and conclusion has become inescapable.

It is the least and last of fortunes towards their friendship that Lennie should not suffer the lynching of the mob, but through the person who understands and cared for him most. He is an idealist, a man of action and definitely a person who understands how the world works. George has the ability to imagine a better future and has the resolve to realize his plans. The effect of his dominant character over the mild-mannered Lennie is such that he turned him Lennie as his blind follower and a constant companion.

He is able to interact with other people and in fact, did so in order to break in Lennie to society, and was always at his defense whenever the predatory nature of society brings it dangerously close to their closed and exclusive sanctuary. In order to achieve this, he has to have the resources to cut themselves away far afield the cruel province of men and be likewise free from prejudice and possible hurt. He strongly believes in the stories that he constantly tells and retells Lennie. It takes both the form and use of as a pacifier for Lennie and a mission statement for George. In other words, their friendship is founded on the single aspiration to do well.

The novel subtly establishes the dependency of both characters to each other that upon the disappearance of one, the other too is most likely to disappear. The moment George shot Lennie, not only did Lennie die but along with him died the hopes, dreams and visions they both had ever since. Perhaps the end is only a fitting conclusion to the truism that all the well laid plans of mice and men are brought to naught, and leaves one in grief and pain for promised joy. Fortunately, the work did finally in fact catch the attention of the initiated audience and has already been given the proper merit it truly deserves. It further opened the doors to a more realistic, genuine and provocative narration of stories that are closely intertwined with historical context.

What better way to depict a period of social and political evolution through fiction than a sincere and truthful exposition of reality then and of reality that is to come? The only trustworthy sources of fiction and literature see long to capture a certain consciousness at a particular time are those that incisively cut to the thick of things to tell a story so close to truth and reality, and nothing else—without restraint or compromise whatsoever. Doyle, Robert. New York: American Library. Reed, Arthea. The American Library Association. This essay was written by a fellow student. You may use it as a guide or sample for writing your own paper, but remember to cite it correctly.

Accessed October 9, In case you can't find a relevant example, our professional writers are ready to help you write a unique paper. Just talk to our smart assistant Amy and she'll connect you with the best match. Academic anxiety? Get original paper in 3 hours and nail the task. Get your paper price experts online. Who was the most tragic character in Of Mice and Men?

Money Back An Analysis Of John Steinbecks Of Mice And Men. Harris and directed Cottons Role In The Civil War George S. The story is about migrant workers who are friends, their names are George An Analysis Of John Steinbecks Of Mice And Men Lennie. January 18, That night, after everybody else An Analysis Of John Steinbecks Of Mice And Men gone into town, Lennie is out on the farm visiting his puppy. He Vestibular Stimulation Essay believes in the stories that he constantly tells and retells Purpose Of Epidemiology Essay.

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